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One of her first portraits was that of the Polish Countess Potocka who came with the Count, and directly he had gone away said to Mme. Le Brun: That is my third husband, but I think I am going to take the first back again; he suits me better, though he is a drunkard.

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ONE:It was all so terribly changed, she could hardly believe that this was indeed the Paris of her youth, the ancient capital of a great monarchy, the centre of magnificence, elegance, and refinement. The churches were mostly closed, if not in ruins; the statues of the saints were replaced by those of infidel philosophers; the names of the streets were changed into others, often commemorating some odious individual or theory or deed of the Revolution; as to the convents the very names of Jacobin, Cordeliers, and others were associated with horror and bloodshed. The words palais and h?tel having been forbidden by the Terrorists, maison ci-devant Conti, maison ci-devant Bourbon, &c., were written upon the once splendid dwellings of those who were now murdered, wandering in exile or, like herself, just returning to their ruined homes, with shattered fortunes and sorrowful hearts. Everywhere, on walls and buildings were inscribed [453] the mocking words libert, galit, fraternit, sometimes with the significant addition, ou la mort. THREE:Married when a mere child to the Duc de Fleury, great-nephew of the Cardinal, there was no sort of affection between her husband and herself, each went their own way, and they were scarcely ever in each others society. He had also emigrated, but he was not in Rome, and Mme. Le Brun, who was very fond of her, foresaw with anxiety and [100] misgiving the dangers and difficulties which were certain to beset one so young, so lovely, so attractive, and so unprotected, with no one to guide or influence her. Full of romance and passion, surrounded with admiration and temptation, she was already carrying on a correspondence, which could not be anything but dangerous, with the Duc de Lauzun, a handsome, fascinating rou, who had not quitted France, and was afterwards guillotined.I have received some news which fills me with joy; I hear the King has escaped from France, and I have just written to him, only addressingTo His Majesty the King of France. They will know very well where to find him, she added smiling.
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TWO:Of course the plan was visionary, and the provinces had been so long incorporated into France, that even if the allies had consented to the dismemberment, the nation would never have submitted to it.

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TWO:
FORE:In the cell of Trzia and her companions had been massacred a number of priests on that occasion, and still upon its wall were the silhouettes marked in blood, where two of the murderers had rested their swords.He gave orders that every one, women as well as men, should get out of their sledges or carriages when he passed. It was dreadfully cold, with deep snow, and he was always driving about, often almost without escort, so that he was not at once recognised; but it was dangerous to disobey.

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FORE:Her dress was a caricature of the latest fashion, her manner was impertinently familiar. She first made a silly exclamation at being addressed as madame instead of citoyenne, then she turned [459] over the books on the table and when at length Mme. de Genlis politely explained that being very busy she could not have the honour of detaining her, the strange visitor explained the object of her visit.

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FORE:

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FORE:Vont changer de conduite, amen.

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TWO:After dark a man wrapped in a great cloak, under which he carried some large thing, his hat pulled over his eyes, rang and said The Devil.
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She was received with the hospitality and distinction she always experienced, met many old acquaintances, and passed several months very pleasantly.The order was given for every one to wear powder, but as Mme. Le Brun did not like it in portraits, and was painting that of Prince Bariatinski, she begged him to come without it. One day he arrived in her studio pale and trembling.The idea was suddenly suggested to the brother and sister by the book they were reading, and as she expected several people to supper, she arranged the rooms with draperies after the ancient Greek fashion, borrowed from the Comte de Parois, who lived in the house and had a collection of Greek things, all the vases, pitchers, pots, and cups she wanted, arranged the table in the same style, and as her friends arrived, proceeded to dress them one after another in Greek costumes, which she took from the mass of costumes and draperies in her studio.CHAPTER III
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